Len Wein

 ( 1948 Births ) 

In a 2003 interview, Len Wein recalled having been "a very sickly kid. While I was in the hospital at age seven, my dad brought me a stack of comic books to keep me occupied. And I was hooked. When my eighth grade art teacher, Mr. Smedley, told me he thought I had actual art talent, I decided to devote all my efforts in that direction in the hope that I might someday get into the comics biz."

Approximately once a month, as a teenager, Wein and his friend Marv Wolfman took DC Comics' weekly Thursday afternoon tour of the company's offices. Wolfman was active in fanzine culture,Siegel, Howard P. "Made in America," BEM #16 (Dec. 1977). and together he and Wein produced sample superhero stories to show to the DC editorial staff. At that point, Wein was more interested in becoming an artist than a writer. In a 2008 interview, Wein said his origins as an artist have helped him "describe art to an artist so that I can see it all in my own head", and claimed he "used to have artists, especially at DC, guys like Irv Novick and a few of the others, who would come into the office waiting for their next assignment and ask editor Julie Schwartz, 'Do you have any Len Wein scripts lying around? He's always easy to draw.'"

Later that year, Wein was writing anthology mystery stories for DC's The House of Secrets and Maevel Comics's Tower of Shadows and Chamber of Darkness. He additionally began writing for DC's Romance comics comic Secret Hearts and the company's toyline tie-in Hot Wheels; Skywald Publications' Horror comics-comics magazines Nightmare and Psycho and its short-lived Western comics comic books The Bravados and The Sundance Kid; and Gold Key Comics' Mod Wheels, Boris Karloff Tales of Mystery, the toyline tie-in Microbots, and the TV-series tie-ins Star Trek and The Twilight Zone.

Wein and artist Bernie Wrightson created the Horror fiction character the Swamp Thing in The House of Secrets #92 (July 1971).: "Swamp Thing' was the name of Len Wein and Bernie Wrightson's turn-of-the-century tale, and its popularity with readers led a modernized version of the character into his own series a year later." Over the next several decades, the Swamp Thing would star in DC series and miniseries – including an initial 1972–76 series begun by Wein and Wrightson,: "Following his debut in House of Secrets #92 in 1971, the Swamp Thing grew into his own series, albeit with a reimagining of his origins by writer Len Wein and artist Bernie Wrightson." and the early 1980s The Saga of the Swamp Thing, edited by Wein and featuring early work by writer Alan Moore—as well as two theatrical films, and a syndicated television series. Abby Holland, a major supporting character in the character's mythos, was introduced by Wein and Wrightson in Swamp Thing #3 (March 1973).: "Scribe Len Wein and artist Bernie Wrightson left Swamp Thing some company... the woman who would become Swamp Thing's soul mate, Abigail Arcane." Wein wrote the second story featuring Man-Thing (written circa May 1971, published in June 1972), introducing Barbara Morse and the concept that "Whatever Knows Fear Burns at the Man-Thing's Touch!", and later edited Steve Gerber's run on that title.

Wein wrote a well-regarded run of Justice League of America (issues #100–114) wherein, together with artist Dick Dillin, he re-introduced the Seven Soldiers of Victory in issues #100–102: "Through an impromptu team-up of the JLA and the Justice Society on Earth-2, writer Len Wein and artist Dick Dillin ushered in the return of DC's Seven Soldiers of Victory." and the Freedom Fighters in issues #107–108.: "The annual Justice League-Justice Society get-together resulted in scribe Len Wein and artist Dick Dillin transporting both teams to the alternate reality of Earth-X. There, Nazi Germany ruled after winning a prolonged World War II and only a group of champions called the Freedom Fighters remained to oppose the regime." Libra, a supervillain created by Wein and Dillin in Justice League of America #111 (June 1974),: "Through the words of scripter Len Wein and the art of Dick Dillin, the masked menace of Libra established himself as a grave threat to the World's Greatest Heroes." would play a leading role in Grant Morrison's Final Crisis storyline in 2008.

In the fall of 1972, Wein and writers Gerry Conway and Steve Englehart crafted a unofficial crossover spanning titles from both major comics companies. Each comic featured Englehart, Conway, and Wein, as well as Wein's first wife Glynis Wein, interacting with Marvel or DC characters at the Rutland Halloween Parade in Rutland, Vermont. Beginning in Marvel's Amazing Adventures #16 (by Englehart with art by Bob Brown and Frank McLaughlin), the story continued in DC's Justice League of America #103 (by Wein, Dillin and Dick Giordano), and concluded in Marvel's Thor #207 (by Conway and penciler John Buscema). Amazing Adventures #16 (Jan. 1973), Justice League of America #103 (Dec. 1972), and Thor #207 (Jan. 1973) at the Grand Comics Database As Englehart explained in 2010, "It certainly seemed like a radical concept and we knew that we had to be subtle (laughs) and each story had to stand on its own, but we really worked it out. It's really worthwhile to read those stories back to back to back – it didn't matter to us that one was at DC and two were at Marvel – I think it was us being creative, thinking what would be really cool to do."

Wein co-created the Human Target with artist Carmine Infantino: "Starting as a back-up feature in the pages of Action Comics, scribe Len Wein and artist Carmine Infantino introduced Christopher Chance, a master of disguise who would turn himself into a human target – provided you could meet his price." and wrote the character's appearances as a backup feature in Action Comics, Detective Comics, and The Brave and the Bold. The character was adapted into a short-lived ABC television series starring Rick Springfield which debuted in July 1992, and was briefly revived in 2010 for a two-season series on Fox Broadcasting that starred Mark Valley, Chi McBride, and Jackie Earle Haley.

He briefly wrote the "Batman" feature in Detective Comics and produced a storyline with artist Jim Aparo and in which Batman was framed for the murder of Talia al Ghul: "Len Wein and artist Jim Aparo began a five-issue uninterrupted storyline that was quite an event in 1975. In this interesting tale, Batman was framed for murder by his old enemy Ra's al Ghul." and battled Sterling Silversmith for the first time.

In the early 1970s, Wein began writing regularly for Marvel Comics. He succeeded Roy Thomas as editor-in-chief of the color-comics line in 1974, staying a little over a year before handing the reins to Wolfman. Remaining at Marvel as a writer, Wein had lengthy runs on Marvel Team-Up, The Amazing Spider-Man,: "To signify the start of this new era Spider-Man's new regular chronicler writer Len Wein would come onboard with The." The Incredible Hulk , Thor , and Fantastic Four , as well as shorter runs on such titles as The Defenders and "Brother Voodoo". Wein co-created Wolverine with artist John Romita Sr. during his run on The Incredible Hulk .: "Len Wein wrote and Herb Trimpe drew Wolverine's cameo appearance in The Incredible Hulk #180 and his premiere in issue #181." Wein's story "Between Hammer and Anvil" from The Incredible Hulk vol. 2, #182 (Dec. 1974) was later cited in Tony Isabella's book 1,000 Comics You Must Read''.

In 1975, he and artist Dave Cockrum revived the Stan Lee / Jack Kirby mutant-superhero team the X-Men after a half-decade's hiatus, reformatting the membership in Giant-Size X-Men #1 (May 1975).: "Editor Thomas realized that if X-Men was to be successfully revived, it needed an exciting new concept. Thomas came up with just such an idea: the X-Men would become an international team, with members from other countries as well as the United States. Writer Len Wein and artist Dave Cockrum were assigned to the new project and the result was Giant-Size X-Men #1." Among the characters the duo created for the series were Nightcrawler, Storm, Colossus, and Thunderbird. Wein plotted the early "new X-Men" stories with artist Cockrum. These issues were then scripted as Uncanny X-Men #94-95 by Chris Claremont, who subsequently developed the title into one of Marvel's leading franchises. In 2009, Claremont said, "The history of modern comics would be incredibly different if you took Wein's contributions out of the mix. The fact he doesn't get credit for it half the time is disgraceful. We owe a lot of what we are – certainly on the X-Men – to Len and to Dave Cockrum".

He scripted Batman and collaborated on Green Lantern with artists Dave Gibbons and Mark Farmer. On his first issue of Batman, #307 (Jan. 1979), he created Wayne Foundation executive Lucius Fox,: " Batman #307 (Jan. 1979) Writer Len Wein and artist John Calnan introduced Bruce Wayne's new executive, Lucius Fox, in this issue of Batman." later portrayed by Morgan Freeman in the movies Batman Begins, The Dark Knight, and The Dark Knight Rises. With artist Marshall Rogers, Wein co-created the third version of the supervillain Clayface in Detective Comics #478 (Aug. 1978).: "Writer Len Wein and artist Marshall Rogers vividly depicted Batman's battle with a third Clayface." He wrote The Untold Legend of the Batman, the first Batman miniseries, in 1980: "Written by Len Wein, with art by John Byrne and Jim Aparo, The Untold Legend of the Batman... delved into the origin of the fabled Dark Knight." and the following year wrote a DC-Marvel crossover between Batman and the Hulk in DC Special Series #27 (Fall 1981).: "Written by Len Wein and illustrated by José Luis García-López, the comic saw... Batman and the Hulk doing battle with both the Joker and Marvel's ultra-powerful Shaper of Worlds." Pandora Pann was a proposed series by Wein and artist Ross Andru which was to have been published in 1982 but other commitments prevented Wein from writing it and the project was cancelled. As editor, he worked on the first twelve-issue limited series Camelot 3000, and such successful series as Teen Titans, All-Star Squadron, Batman and the Outsiders, Who's Who in the DC Universe, and Alan Moore and Dave Gibbons's acclaimed and highly influential Watchmen. In 1986, he wrote a revival of the Blue Beetle,: "The Blue Beetle swung into his own DC series with the help of writer Len Wein and artist Paris Cullins." two issues of the DC Challenge limited series, and dialogued the miniseries Legends over the plots of John Ostrander.: "DC's next big crossover showcased John Byrne's pencils on all six of the miniseries' issues. Entitled Legends, this new limited series was plotted by writer John Ostrander and scripted by Len Wein.... By the series' end, the stage was set for several new ongoing titles, including... the Suicide Squad, as well as the Justice League." The following year, Wein scripted the rebooted Wonder Woman series over penciller George Pérez's plots. With artist Steve Erwin, Wein co-created the superhero Gunfire.

Wein collaborated with writer Kurt Busiek and artist Kelley Jones on the four-issue miniseries for Dark Horse Comics. He scripted the comics series The Victorian for Penny-Farthing Press and wrote comic-book stories for Bongo Comics' TV-series tie-ins The Simpsons and Futurama.

From 2005 to 2008, Wein appeared as a recurring panelist on the Los Angeles-based stage revival of the TV game show What's My Line? He wrote episodes of the Cartoon Network animated series , , and the Marvel Super Hero Squad.

Wein was interviewed for commentary tracks on comics-related DVDs, including the animated film, the live-action Spider-Man, Fantastic Four and X-Men films, the film, the Watchmen film, the Swamp Thing TV-series sets, the Human Target first season TV series, and the July 2008 History Channel specials Batman Unmasked and Batman Tech.

He wrote the storyline for the Watchmen video game, , which serves as a backstory to both the comic and the film adaptation. Wein returned to comics writing for DC in the late 2000s, where he collaborated in the DC Comics nostalgic event DC Retroactive writing stories for the one-shot specials Batman – The '70s (September 2011) drawn by Tom Mandrake DC Retroactive: Batman – The '70s at the Grand Comics Database and Green Lantern – The '80s (October 2011) drawn by Joe Staton. The hardcover collection of his 10-issue was published in August 2011.